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SMIDGETTES is a tonal exercise showcasing a collection of my shorter cartoons within a "gritty yet nostalgic" aesthetic, achieved through stylish After Effects compositing. The project has been featured at various animation festivals,
including Hot30Fest in LA and ShortShortsFest across the Midwest and East Coast.

A dual animation & compositing reel, showcasing shots of animation from my career that I also composited.

Programs used for compositing were a mix of  Toon Boom Harmony, Adobe Animate, After Effects, and Premiere.

I am proficient in comping for all programs mentioned.

A fan-bumper I created in the style of the Adult Swim/Cartoon Network Checkered Past style.
Cow was animated by myself in Adobe Animate, and was then comped into the scene in After Effects.
All compositing, color correction, and lighting setup were my own.

Sole animator & compositor on this shot for MARS; working with an After effects Puppet Rig with slightly movable Head Rig.
 
All animation, keys, lipsync, head rig animation, compositing & lighting setup were my own.

Curated mixes of Gorillaz rarities, paired with animated loops I created of Jamie Hewlett's illustrations (rigged as After Effects puppets).
I created visualizer experiences by compositing these animations with curated background assets, handling all compositing,
color correction, and lighting myself.

In 2022, I animated a holder's Ape PFP for TPointzeroStudios & Degen Arcade, then composited it onto video footage of the holder, handling all compositing, color correction, and lighting.
Video above animated & composited in ToonBoom Harmony.
Video to left composited in After Effects

In 2024, I created meme-style GIFs to promote the THOL memecoin project under tight deadlines. I’m not affiliated with any crypto companies, and none of this work was used as NFTs. All GIFs were composited in After Effects.

In 2024, I created a promotional video featuring Rocky running for the YOURMOM memecoin project. I’m not affiliated with any crypto companies, and none of this work was used as NFTs. All compositing, timing choices & audio edits were my own.

In 2018, I remotely edited a short film, handling heavy color correction, timing, cutting, and all audio edits. I essentially pieced together the entire story from a loose collection of shots, crafting a cohesive and engaging final product.

In 2016, I animated and composited this 45-minute visualizer to accompany the release of an album for my music side-project.

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© 2024 by Mike Green. All rights reserved.

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